skip to main |
skip to sidebar
I'm starting a new series, Red White & Blue, with these two paintings. Despite the obvious allusion to the American flag, there is no subject matter intended, of course. Take it as you wish. The ground is True Navy, followed by white fluid acrylics, and the knifework is carmine, ultramarine blue and titanium white tube colors.
These two are additions to my Magenta & White series: Magenta & White No. 2 and Magenta & White No. 3. The ground is white over bright magenta fluid acrylics and the knifework consists of magenta and white tube colors. Both were painted Wednesday.
A couple of new additions to my White & Yellow Ochre series, here: White & Yellow Ochre No. 3 and White & Yellow Ochre No. 4. A friend says they look like butterscotch and cream, but, after my Chocolate Mint, Chocolate Caramel and Cherry Vanilla paintings, I thought it best to avoid any further food references in the titling. The ground for these, which were painted Tuesday, is white over Nutmeg Brown, both fluid acrylics. The knifework consists of white and yellow ochre tube colors.
Here are a couple of new additions to my Orange & Black series, Orange & Black No. 3 and Orange & Black No. 4. These were painted on Monday, December 15th. The ground, admittedly, looks almost more brownish than orange - call it a "burnt" orange, then, I guess. This is due to a layer of black lurking beneath two coats of a darker and then a lighter orange, allowing some of the black to peek through here and there. I had tried an earlier version without the black underpainting, but the result was a very intense, flat orange with no texture or detail to it, so I started over. That's the first time that's happened, by the way. Usually, I display everything I paint.
Sunday, I started a new series, Blue & Purple. This is Blue & Purple No. 1 and Blue & Purple No. 2. These are done entirely in fluid acrylic, hence the very slight difference in the look, from my usual paintings. The fluid acrylic, being thinner and runnier, tends to drip a bit more and, thus, calls for faster, more immediate action when applying to the paper. Also, being less viscous than the tube colors, there is almost no impasto - in fact, it's rather thin. Another difference between the fluid and tube colors is that, with these particular fluid colors I'm using, the paint dries flat, as opposed to glossy. So, overall, these are the factors that account for any noticeable differences.
Most of my small paintings on paper have been a combination of fluid and tube colors. I usually reserve the tube colors for the knifework, painting the ground in either all fluid acrylic, or in a combination of tube and fluid, depending upon what colors I'm using and whether or not I want more texture.
Finally getting caught up, now. Here are the first two of a new series titled Blue & Green, both painted today.
You may have noticed that, since Blue & Orange No. 8 I've been adding some arcs, scratched through the wet paint with the edge of my knife. In the first of these, the lines were accidental, but I've decided I like the effect so much that I've begun deliberately incorporating it into each painting, now. Why not? I'm making the rules, here.
Here are the latest additions to my White series, White No. 8 and White No. 9.
I've been falling behind on my posting, lately. Here are White on Blue 6 and White on Blue 7.
